Performed by Carnival Love Song by Kurt Weill and Alan Jay Lerner performed by Love Life Love, I Hear by Stephen Sondheim. He was an actor, telling stories through music.Voice and Piano Sheet Music Cabaret Style Ages Ago: from the play Time Remembered by Vernon Duke. Scores at Sheet Music Plus: Extra Information Conceived as a work for piano duet or organ, but premi&232 red as a work for large orchestra.Frank Sinatra — who performed often in Providence, and was born 100 years ago today — was more than a singer.
Carnival Of Venus Sheet Music Movie Acting When
And Joey Bishop — that enthralled me.It was the emotional depth of Sinatra’s haunted songs — the world-weariness of “It Was a Very Good Year,” the abandoned love of “One for My Baby” and “In the Wee Small Hours of the Morning,” even the defiance of “My Way.” They spoke to me like the blues of Billie Holiday, showing a way to cope with a life that didn’t always bring you what you wanted.He was more than a singer. He’d been a Big Band-fronting bobby-soxers' idol in the '40s, turned to movie acting when he fell out of musical favor in the '50s, rebounded as a swinging success with the “Man and His Music” TV specials in the mid-'60s.But it wasn’t the Big Band sound, or that silly Rat Pack image — all the self-satisfied talk about “chicks” and “broads” and “ring-a-ding-ding,” the clowning around with Dean Martin and Sammy Davis Jr. Saloon songs spoke of an existence my teenage self could only imagine.Sinatra — who performed often in Providence, and was born 100 years ago today — had already gone out of style and come back in by the time I became aware of him in the late 1960s. Its origins are centuries old, and it still attracts thousands of tourists each year who arrive in Venice to admire the sumptuous costumes and masks parading in the streets and squares.More importantly, primitivism seems to go hand in hand with parasexuality, as the West Indian Carnival offers a reversed image of the British music-hall, and.Growing up, I loved Barbra Streisand for the way her voice swooped and soared the Beatles for their symphonic harmonies Peter, Paul and Mary for the way they blended musical brilliance with social conscience.But then there was Frank Sinatra — the master of phrasing, the man whose lonely 3 a.m.
Calling on both his acting and singing skills, he performed the 10-minute “Soliloquy” from Rodgers and Hammerstein’s “Carousel,” turning himself into the show’s uncertain soon-to-be father, decades after he might have played the same role in reality.Sinatra got four standing ovations that night, and thousands upon thousands more during a life that ended in 1998. It was reported that he was using sheet music, even a TelePrompTer, so he could remember the words to songs he had once known by heart and sung from his soul.And then, on a magical night in August 1990, he pulled it all together for a show that confirmed everything I’d loved about him.At Great Woods in Mansfield, Mass., it was a rail-thin but masterful Sinatra who swung through his classics — “Luck Be a Lady,” “Summer Wind,” “You Make Me Feel So Young.” He played with individual notes on “Where or When,” and, as I wrote at the time, swung even through the tragic French ballad “What Now My Love” — pulling it off through sheer bravado.And then, astonishingly, this 74-year-old managed to transform himself into a 25-year-old carnival barker. Unable to hit the high notes when he could hit the low ones, and vice versa. In the 1980s I saw him at the Providence Civic Center, shows when he often appeared old and uncertain.
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